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) When the next generation of Rock'n'Rollers started to make some noise across the Atlantic, they also used Fender amps: British Invasion bands such as The Beatles, Rolling Stones, The Who, Yardbirds and others began to experiment with Fender amps: John Lennon was an early adopter, actually playing a tweed Fender Vibrolux when The Beatles were still starting, and after a well-documented interlude with AC30s, he and George Harrison used a Fender Twin Reverb in the final years, including at the Beatles famous rooftop concert: One little detail not that well-known, is that the Beatles favourite amp was a Fender Bassman, as described on our Revolver Turns 50 blog post.
Originally purchased by Paul Mc Cartney, it was widely used on recordings by both John and George.
They're the best way to get that classic Fender look and tone, without needing to travel back in time.
Actually, having a new reissue amp is a bit like travelling in time...
With exciting new releases such as the new Bassbreaker series, it's fair to say Fender Amps will continue to define the sound of rock'n'roll for a long time to come.
If you A/B any choice of different new or vintage Fender amps, you'll probably notice tonal differences, but in many ways they are all pretty much similar: despite differences in valve configurations, speakers etc., they all have those superb clean tones that made Fender famous.
It can be quite hard to accurately date vintage and older Fender amps pre-1994 by serial numbers, because records for those were not kept.This means amps have different sweet spots, remaining clean at different volumes and breaking up earlier or later, so its with this in mind that we've separated them in three categories: Those terms are just slang terms used to identify Fender amplifiers based on the color of the control panel or tolex/cloth covering of the cabinet (these terms are often misconstrued to refer to the color of the grille cloth).Each colour represents a particular Fender "era", when those different features first appeared.These were easily the most powerful amplifiers commercially produced back then.They all had the classic features we're familiar with now: heavy steel chassis, chromed control plates, and heavy pine cases covered with tweed fabric.
Of course, there'll be purists who'll say one era sounds better than the other, but it all comes down to personal opinions.